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[hellsitegenetics]

i like to imagine that you dont just look up random genomes, or are a bot, but rather youre a person who knows every genome

String identified: t ag tat t t a g, a a t, t at a g

Closest match: Hmm... Yes... Arcobacter butzleri ED-1 DNA, complete genome

(image source)

[bbuzz28]

As much as I lovelovelove Mystery Trio AUs- these three unhinged men should NEVER spend any amount of time together in their prime if you want any peace and quiet.

Someone merely mentions the ides of stealing *something* from a government facility? Stan's warming up the El Diablo that he's already taken the tags off; Ford somehow already has the blueprints to the building and Fiddleford has a handheld lock picking device that also knocks out the signal on surveillance cameras.

Ford finds it logical to use essentially chemical warfare on the guards they didn't know would be patrolling as he blows idk, fairy dust, in their faces. Stan notices that several of his personas' wanted posters are up in an office and he stuffs them in a paper shredder as they walk by not because he is embarrassed but because they weren't even good artist renditions of what he looked like. Fiddleford of course finds alien tech that the government officials are testing and pockets in, knowing it will come in handy for his next giant robot.

As they head back to the Shack Stan jokingly suggests knocking over a bank and Fiddleford nonchalantly says they don't need to, he built a printing press the other week. Ford nods, as if this is a completely reasonable response and Stan has never felt closer to his brother.

[greater-than-the-sword]

Not to be a filthy liberal or whatever but if you get mad at someone wishing you Happy Holidays you're just as bad as someone getting mad for being wished Merry Christmas. It is a well wish, get over it

[contamination-zone]

Can we see more storyline of Nightmare’s ideal scenario with Fresh? I got interested in it. (weird I know.)



Ahh, I think Nightmare makes it eat dog food and stuff, even when it doesn't need to eat, as like... a control tactic. just extra torture/dehumanization ontop of everything else.

I think its interesting to explore the gang's reaction to this as well. Everyone is in this abusive situation, so they cannot spare much pity for Fresh or eachother. I think there could even be jealousy at times, because if Fresh is well behaved Nightmare would pamper it, unlike if the gang was well-behaved.

I don't know them that well though, so I hesitate to write out too much of how I think they'd react.

And! while it is odd to be interested, I'm even odder to be making this sort of thing. so I win :-]

[fixyourwritinghabits]

Periodic reminder, as I converse with someone who's email name identifies them as "Yolo Lobster," that you need to have a separate email for funsies and professional email for school and work.

[egophiliac]

I'm very new to joseimukes, what happens when they reach the conclusion of the main plot? Do they keep the game going with a main story - part 2 and events to wring out every cents out of the audience or do they close down the servers and that's the end of it?? I'm scared for my twst obsession's future

honestly, this is the first game of this kind that I've played that looks like it's actually going to reach the end of the story without getting cancelled midway through, so...I have no idea! :') my gut assumption is that there'll probably keep being events and reruns for a while, until it finally stops being profitable enough to justify itself and they end service. but I am also interested in the answer, if other people more familiar can give their experience!

[pokemonshelterstories]

Hello from Unova! I'm gonna try and keep this short if I can, but I might ramble a little.

I've never had a Pokémon before because of chronic health problems and issues with emotional regulation, but recently a friend suggested looking into getting an Emotional Support Pokémon.

I've considered a Minccino, but I'm worried I wouldn't be able to care for it properly. Any suggestions for a good support 'mon? Thanks!

when you're looking into an emotional support pokemon, you don't really need to worry as much about what kind of pokemon it is as you do when you're looking into a service pokemon. emotional support pokemon primarily help out by providing companionship and being a calm presence their trainer can rely on. some pokemon have natural abilities that make them more effective, such as pokemon that can perform soothing aromatherapy like meganium, but the only real qualification for an emotional support pokemon is that a mental health professional writes you a letter recommending that you get one.

the most important thing in your case would be picking a pokemon with a calm personality that you can form a strong bond with that won't require care that exceeds your abilities. minccino can make great ESPs, but they do require that you keep a pretty clean home, so i would only get one if you can either maintain that level of cleanliness yourself or can hire a cleaner/have someone help you clean.

in unova, lillipup, audino, skitty, munna, eevee, and deerling are your most common ESP candidates. i think looking into those will be a good starting point for you- but ultimately what's most important is the individual pokemon's temperament and how well you two get along!

[friskafriskito]

Six fanarts! My second time :D

Sister Carpenter, from The Silt Verses (podcast)

Lyfrassir Edda, from The Bifrost Incident (album, by The Mechanisms)

Jonathan Sims, from The Magnus Archives (podcast)

Jiji, from Kiki's Delivery Service (animated movie)

The Phantom of the Opera, from The Phantom of the Opera (book version)

Jack Skellington, from The Nightmare Before Christmas (animated movie)

Requested by (in order):

@arianwells , @archivists-plus-one , @thekyuusanna @stephanie568 @princeofbadassery , @pixelferrets

I hope these turned out alright, because a lot of these characters have no official visual design. It was so much fun to come up with them though, I might do these again!

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[marinette-buginette]

The Dai Li subplot in Ashes of the Academy doesn't make sense. However...

We have this group of elite earthbending warriors, deeply versed in espionage, who betrayed the Earth Kingdom due to their loyalty to Azula, stayed in the Fire Nation Capital because of Azula, helped defend the Capital against an invasion force (which included Earth Kingdom troops) together with Azula, were banished by Azula during Sozin's comment, and haven't seen Azula for a few years at this point (she was with the Kemurikage, there wasn't peep about the Dai Li in any other comics).

So what you're telling me is that the Dai Li were so impressed by Azula/had such deep instated loyalty to her that after years of not even interacting with her, they are fighting to put her on the throne of a nation that isn't even their own (Fire Nation imperialist propaganda doesn't work here as an excuse)? They are getting very close to cult level deity worshipping.

Damn, Azula really is that girl huh

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[violent138]

HC that Crime Lord Red Hood routinely donates medical equipment, money, and well-trained black market medics (formerly employed by gang leaders he took down) to Leslie's clinic. He's also obsessive about updating or improving the generators at the clinic and wears her down in a way that Batman couldn't.

[polin-erospsyche]

I will jump onto the train of “in this house we thank Violet Bridgerton” because that woman has so much patience and strength. I love the scene where we get Colin completely lost and confused asking her whether friendship is a strong foundation for great love while unable to look away from Pen completely enamoured. Violet sees it immediately, she knows, she understands and there’s not an ounce of surprise on her face just pure happiness for her son because she knows he has found his home and it is just so evident. Yet despite nearly telling him to work up the courage to ask (which I will admit he tried very hard), she will have to see her son pace around, drive himself sick with love, before using reverse psychology on him because it might be the only thing that will get him out of his feelings and spur him into action. And for that I have so much admiration for Violet Bridgerton because if he had been my son I would have shook him, told him to quit moping and go get his girl.

[summertimemp3]

Sometime I go through a period of kind of hating Thomas (right now it’s because I adore Baxter) but then he has an expression of the most potent and tragic early 20th century homosexual pining on his face and I remember that he’s everything actually

[iwritenarrativesandstuff]

There is a cyclic tragedy inherent to Mori's character wherein he's actually a deeply lonely man, but it's mostly because his resolve to do morally reprehensible things and think of people as pieces on the game board is something he prioritizes over his relations with those very same people, and this inevitably pushes them away (for very understandable reasons). And it kind of sucks honestly because the most frustrating thing about Mori is that he 100% has the potential to be a fantastic teacher and mentor, and more than that, I think he loves it! Just look at Beast! But for as long as he decides he needs to be the one to make "the hard calls" to "preserve peace", then Mori will inevitably continue in this cycle of alienating all the people he has a fondness for.

I do feel as though Mori's loneliness is something he views as a necessary sacrifice that he is making for the greater good (and if he is so willing to sacrifice, then Dazai's unwillingness to do the same comes out of left field because - "what do you mean? you're supposed to be just like me!").

Anyways.

Mori voice: "I'm so alone"

Also Mori: *continues to prioritize pure logic over the emotions of his people and himself*

The people: *get rightly angry and/or become extremely traumatized and leave him*

Mori voice: "I did what needed to be done"

Mori: "..."

Mori: "..."

Mori: "I'm so alone"

Sir. You are doing this to yourself.